التسلا اللي بتطير…
اتعملت إزاي؟

امشي بالطريقة، خطوة خطوة.

محتاج تجهّز مرجع هويتك الأول؟ اتعلّم تثبيت الشخصية ↗

1. اجمع المراجع

   اختار صور واضحة للعربية من كذا زاوية، وثبّت مرجع الشخصية والكافيه.

2. خطّط اللقطات

   راجع لوحة كل مشهد والحوار والتوقيت قبل ما تفتح أداة التوليد.

3. ارفع بالترتيب

   ارفع مرفقات المشهد المحددة فقط، بنفس الترتيب الموجود تحت. الحد الأقصى هنا ٧ مرفقات.

4. ولّد وراجع

   ابدأ بالمشهد الأول. راجع الهوية والعربية والصوت ووصلة النهاية قبل المشهد التالي.

مهم في المشهد الأول: اللوحة مرسومة على ٨ ثوانٍ، لكن البرمبت والخطة المعتمدان مدتهما ٦ ثوانٍ.

أرشيف إنتاج فيديو الشرح: ١٢ مشهدًا.

المرفقات والبرمبتات التالية لإنتاج فيديو الشرح داخل الكافيه. لتطبيق فكرة بفيديوهاتك ومراجعك، افتح مسار تنفيذ أول مشهد ↗.

افتح المشهد، راجع اللوحة، نزّل مرفقاته بالترتيب، وانسخ البرمبت كاملًا. حافظ على أسماء الملفات الأصلية عند رفعها للأداة.

المشهد ١بداية الحكاية٦ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

شوفتوا التيسلا اللي بتطير في مصر؟ تعالى أوريك عملت الفيديوهات دي إزاي.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. شاشة البحثتنزيل ↓
5. كادر الإقلاع الأصليتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 01 — THE REVEAL
DURATION: Exactly 6 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-01.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SEARCH-GLASS.png — exact prepared Google Images artwork.
5. SOURCE-TAKEOFF.jpg — actual source-video frame; opening picture and glass display content.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«شوفتوا التيسلا اللي بتطير في مصر؟ تعالى أوريك عملت الفيديوهات دي إزاي.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
The scene sheet was originally drawn at 8 seconds. Override all printed timing with EXACTLY 6 seconds and the plan below. Start inside the actual source picture and reveal its glass frame through camera pullback. No physical car in the cafe; the bay remains empty. As the vertical screen turns edge-on near the end, reveal the landscape search artwork, not a stretched video. Finish search-ready. Do not repeat the old long opening script.

EXACT PREPARED UI: Google / Tesla Roadster / All / Images / Videos. Images active. No other new text.

TIME-CODED SHOT PLAN:
0.00–1.50 seconds — SOURCE: exact flying-car video frame fills whole vertical screen, gentle upward motion; start pullback near end

1.50–3.00 seconds — REVEAL: same source image becomes bounded inside ONE vertical glass window; reveal Mo seated LEFT cafe, parking EMPTY

3.00–4.50 seconds — PRESENTER: motivated cut close-medium Mo speaking directly camera, screen behind RIGHT begins Y rotation

4.50–6.00 seconds — HANDOFF: edge-on glass wipe to over-shoulder search window LANDSCAPE, Google Tesla Roadster Images active, original photo thumbnails, empty bay

FINAL FRAME:
HANDOFF: edge-on glass wipe to over-shoulder search window LANDSCAPE, Google Tesla Roadster Images active, original photo thumbnails, empty bay. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 6 seconds.

تنزيل ملف البرمبت ↓

المشهد ٢جمع المراجع٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

أول حاجة جمعت صور للعربية من كذا زاوية. مش صورة حلوة وخلاص؛ لازم شكلها وتفاصيلها يبقوا واضحين.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. شاشة البحثتنزيل ↓
5. العربية من الخلفتنزيل ↓
6. العربية من الأمامتنزيل ↓
7. العربية في موقع التصويرتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 02 — COLLECT THE REFERENCES
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-02.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SEARCH-GLASS.png — exact search interface and original photo content.
5. SOURCE-CAR-REAR.png — original collected rear-view photograph.
6. SOURCE-CAR-FRONT.png — original collected front-view photograph.
7. SOURCE-CAR-STAGE.png — original collected stage photograph.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«أول حاجة جمعت صور للعربية من كذا زاوية. مش صورة حلوة وخلاص؛ لازم شكلها وتفاصيلها يبقوا واضحين.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
The physical parking bay is EMPTY. Select only three distinct source photos: rear, front, stage. Selection check marks and thin outlines are allowed. Their content stays unchanged when extracted. Rear card LEFT, front CENTRE, stage RIGHT. One search window retreats to far right; exactly THREE extracted cards. No chassis, wireframe or full-size car yet.

EXACT PREPARED UI: Google / Tesla Roadster / All / Images / Videos. Images active. No other new text.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — CONTINUE: match scene01 final over-shoulder search window, empty bay, subtle push toward interface

2.00–4.00 seconds — SELECT: closer over-shoulder trackpad hand, select rear front stage photo thumbnails sequential cyan outlines and checks

4.00–6.00 seconds — EXTRACT: medium-wide Mo direct camera, three ORIGINAL PHOTO CARDS lift from grid into different depth planes, face uncovered

6.00–8.00 seconds — ARRANGE: wide over-shoulder THREE cards rearLEFT frontCENTER stageRIGHT in shallow arc over empty bay, search retreats farRIGHT, hold for build

FINAL FRAME:
ARRANGE: wide over-shoulder THREE cards rearLEFT frontCENTER stageRIGHT in shallow arc over empty bay, search retreats farRIGHT, hold for build. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ٣بناء مرجع العربية٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

وبالصور دي عملت شيت للعربية: قدّام، ورا، جنب، وتفاصيلها… عشان تفضل نفس العربية، ومتقلبش موديل تاني في نص الطيران.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. مرجع التجميعتنزيل ↓
5. مرجع العربية المعتمدتنزيل ↓
6. شاشة البحثتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 03 — BUILD THE VEHICLE
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-03.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. ASSEMBLY-MASTER.png — mechanical visual assembly stages.
5. VEHICLE-MASTER.png — absolute final car geometry.
6. SEARCH-GLASS.png — three selected photographic images at opening.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«وبالصور دي عملت شيت للعربية: قدّام، ورا، جنب، وتفاصيلها… عشان تفضل نفس العربية، ومتقلبش موديل تاني في نص الطيران.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Start from the previous three photographic cards over the EMPTY bay. They guide a restrained visual assembly, not literal engineering documentation: four aero-disc wheels and chassis, silver body panels, canopy and rear wing settle into place. This is one matching rigid model, no melting or random extra parts. White parking lines anchor the car scale. At the end the exact completed car is grounded and the whole actual Vehicle Master is displayed beside it. No vapour or flight in the cafe.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — REFERENCE CARDS: open from three photo cards above empty bay, same rear/front/stage photo content as scene02 final

2.00–4.00 seconds — CHASSIS: four aero-disc wheels and black chassis form at normal final scale on asphalt; real shadows

4.00–6.00 seconds — ASSEMBLY: silver body panels and canopy mechanically align and settle, same exact car model no morph

6.00–8.00 seconds — MASTER: complete exact silver car grounded, original vehicle sheet on one glass card at its side, camera reveals Mohamed left at table

FINAL FRAME:
MASTER: complete exact silver car grounded, original vehicle sheet on one glass card at its side, camera reveals Mohamed left at table. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ٤تثبيت الشخصية٦ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

ومعاها الكاركتر شيت بتاعي، اللي بستخدمه عشان أثبّت شكلي في الفيديوهات.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. مرجع الهوية الأصليتنزيل ↓
5. مرجع العربية المعتمدتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 04 — LOCK THE CHARACTER
DURATION: Exactly 6 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-04.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-CHARACTER-SHEET.png — whole original character sheet displayed as a flat image.
5. VEHICLE-MASTER.png — completed car parked in background.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«ومعاها الكاركتر شيت بتاعي، اللي بستخدمه عشان أثبّت شكلي في الفيديوهات.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
One real Mohamed is seated at the table. The second face is only the flat portrait INSIDE the original Character Sheet: never create a physical clone. Use an angle match between the printed portrait and live Mohamed through a clean hard cut, not a facial morph. Character sheet retracts at the end; same completed car remains parked. Hand settles away from his mouth while he speaks.

TIME-CODED SHOT PLAN:
0.00–1.50 seconds — PRESENTER: medium Mohamed at table complete car parked behind same bay

1.50–3.00 seconds — CHARACTER SHEET: exact supplied Mo character sheet floats in glass beside him

3.00–4.50 seconds — ANGLE MATCH: close on portrait in sheet then matching live Mohamed same face angle, intentional hard match cut

4.50–6.00 seconds — HANDOFF: medium face turns toward parking with thoughtful expression, character sheet retracts

FINAL FRAME:
HANDOFF: medium face turns toward parking with thoughtful expression, character sheet retracts. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 6 seconds.

تنزيل ملف البرمبت ↓

المشهد ٥تخيّل الموقف١٠ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

بعد كده سألت نفسي: طب لو العربية دي عندي فعلًا… إيه اللي هيحصلي؟ هطلع بيها من الزحمة؟ مراتي هتبعت معايا الزبالة؟

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. كادر الإقلاع الأصليتنزيل ↓
5. مرجع الشخصية النسائيةتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 05 — IMAGINE THE SITUATION
DURATION: Exactly 10 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-05.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-TAKEOFF.jpg — car-ascent imagery contained inside imagination window.
5. SOURCE-WIFE.jpg — wife-and-rubbish-bag imagery contained inside imagination window.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«بعد كده سألت نفسي: طب لو العربية دي عندي فعلًا… إيه اللي هيحصلي؟ هطلع بيها من الزحمة؟ مراتي هتبعت معايا الزبالة؟»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Only Mo is physically present at the cafe. Traffic, takeoff and wife imagery are memories INSIDE one bounded glass window; they never turn the whole cafe into Cairo traffic and never introduce a real wife onto the terrace. Keep physical parked car and window footage separate. Original wife remains silent. Four visual phases last 0-2, 2-4, 4-6 and 6-10 seconds; in last phase a small camera push or detail reframe at 8 seconds maintains energy. This explicit timing wins over quarter-duration defaults.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — QUESTION: direct camera Mohamed then looks toward parking, exact cafe

2.00–4.00 seconds — IMAGINATION WINDOW: restrained glass aperture appears above bay, actual Cairo traffic video imagery in it

4.00–6.00 seconds — ESCAPE: window shows actual silver-car ascent source content, real cafe remains outside window

6.00–10.00 seconds — WIFE: window now actual wife holding black rubbish bag frame, Mohamed reaction foreground, no real wife physically in cafe

FINAL FRAME:
WIFE: window now actual wife holding black rubbish bag frame, Mohamed reaction foreground, no real wife physically in cafe. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 10 seconds.

تنزيل ملف البرمبت ↓

المشهد ٦مشهد السايس٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

والسايس… هيخترع إيه عشان يطلعلي فوق وياخد حق الركنة؟

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. كشك السايستنزيل ↓
5. شخصية السايستنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 06 — THE PARKING ATTENDANT
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-06.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-GUARD-HUT.jpg — original rooftop hut image inside screen.
5. SOURCE-GUARD.jpg — original attendant image inside screen.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«والسايس… هيخترع إيه عشان يطلعلي فوق وياخد حق الركنة؟»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
The attendant remains only inside the screen footage, never physically beside the cafe car. Show original green hut and ordinary-scaled man, then closer original palm-up image. He does not speak. Mo narrates the entire line and makes a small dry reaction. A quiet nonverbal tuk-tuk horn at the very end may motivate the next look, beneath Mo's voice.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — WINDOW REVEAL: imagination window above bay now shows actual green rooftop hut source frame

2.00–4.00 seconds — ATTENDANT: exact moustached pale-blue-shirt man from actual video steps out inside window

4.00–6.00 seconds — PALM UP: actual medium man asking payment inside glass frame, offscreen Mo voice not guard speech

6.00–8.00 seconds — REACTION: Mo seated cafe dry amused glance then turns toward next window, car parked bay same

FINAL FRAME:
REACTION: Mo seated cafe dry amused glance then turns toward next window, car parked bay same. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ٧اللمسة المصرية٦ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

ولما التكنولوجيا دي تنتشر، والمصريين يحطّوا التاتش بتاعهم عليها… وتتركّب في التكاتك؟

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. التوك توك — المرجع الثانيتنزيل ↓
5. سائق التوك توكتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 07 — THE EGYPTIAN TOUCH
DURATION: Exactly 6 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-07.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-TUK-B.jpg — original flying tuk-tuk inside screen.
5. SOURCE-TUK-DRIVER.jpg — original driver and tuk-tuk detail inside screen.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«ولما التكنولوجيا دي تنتشر، والمصريين يحطّوا التاتش بتاعهم عليها… وتتركّب في التكاتك؟»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Only Mo narrates. The tuk-tuk driver inside screen is silent; do not use his skit dialogue or the old alarm voice. Use the original three-wheel vehicle, metal cylinders, green strip and red curtain, not a new sci-fi design. The final selected glass window receives a restrained AMBER outline and freezes on the FLYING TUK-TUK image, even if another driver image occurs in a panel of the sheet. Hold this selected source image for Scene 08.

TIME-CODED SHOT PLAN:
0.00–1.50 seconds — LOOK: Mo at cafe turns toward implied offscreen horn direction

1.50–3.00 seconds — TUKTUK: exact supplied actual flying blackyellow tuk video frame inside one glasswindow overbay

3.00–4.50 seconds — DETAIL: crop within actual frame draws attention metal gascylinders greenLED curtain, not invented technology

4.50–6.00 seconds — CHOOSE: window amber thin highlight Mo slight pointing gesture, freeze this actual result for storyboard next

FINAL FRAME:
CHOOSE: window amber thin highlight Mo slight pointing gesture, freeze this actual result for storyboard next. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 6 seconds.

تنزيل ملف البرمبت ↓

المشهد ٨تخطيط المشهد٦ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

اخترت الموقف، وعملتله سين شيت يوضّح اللقطات بالترتيب.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. مرجع الشخصية المساعدةتنزيل ↓
5. التوك توك — المرجع الثانيتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 08 — PLAN THE SCENE
DURATION: Exactly 6 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-08.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-HAMO-SHEET.png — actual original eight-frame skit sheet, not this tutorial sheet.
5. SOURCE-TUK-B.jpg — selected video result at scene opening.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«اخترت الموقف، وعملتله سين شيت يوضّح اللقطات بالترتيب.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Begin from the selected FLYING TUK-TUK frame. The three keyframe cards represent beginning, reveal and reaction, then converge into the whole ACTUAL eight-frame HAMO scene sheet. This skit source sheet is permitted as an image INSIDE a display, but the current tutorial production sheet itself must never appear inside footage. Finish with a glass storyboard card to the LEFT of an EMPTY dark prompt panel. A laptop display may show the same document beneath the presentation.

TIME-CODED SHOT PLAN:
0.00–1.50 seconds — FREEZE: selected tuk window from previous scene static actual content

1.50–3.00 seconds — SEQUENCE: three keyframes peel into layers opening, flying-tuk reveal, Mo reaction from provided actual sheet

3.00–4.50 seconds — STORYBOARD: keyframes lock into EXACT full Hamo eightframe scene sheet as stable imported image

4.50–6.00 seconds — PROMPT HANDOFF: full scene-sheet glass card shrinks left beside EMPTY darkglass prompt window right, car grounded behind

FINAL FRAME:
PROMPT HANDOFF: full scene-sheet glass card shrinks left beside EMPTY darkglass prompt window right, car grounded behind. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 6 seconds.

تنزيل ملف البرمبت ↓

المشهد ٩كتابة الحركة٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

وبعدها كتبت برومبت الحركة: مين بيتكلم، بيقول إيه، والعربية والكاميرا بيتحركوا إزاي.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. مرجع الشخصية المساعدةتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 09 — WRITE THE MOTION
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-09.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-HAMO-SHEET.png — actual skit storyboard shown beside prompt; do not invent another storyboard.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«وبعدها كتبت برومبت الحركة: مين بيتكلم، بيقول إيه، والعربية والكاميرا بيتحركوا إزاي.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
This is an explanatory prompt excerpt, not a claimed verbatim full production prompt. One readable prompt panel with the exact text below. Never split a movie shot into stacked mini screenshots: sequentially highlight SPEAKER then ACTION then CAMERA within the same panel. The reference sheet's panel 3 is one keyframe of that highlight sequence. The adjacent storyboard must be the ACTUAL original eight-frame HAMO source, not an invented tutorial-scene storyboard. Finish prompt and source sheet ready for Flow.

EXACT NEW UI TEXT, preserve literally as an image:
SPEAKER: Tuk-tuk driver
ACTION: Land beside the silver car.
CAMERA: Cut to the seated driver.
DURATION: 10 seconds.
FORMAT: 9:16.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — EXPLAIN: Mohamed seated direct camera storyboard card behind side

2.00–4.00 seconds — PROMPT: over shoulder large thickglass prompt window exact readable text lines specified below

4.00–6.00 seconds — HIGHLIGHT: sequential cyan focus highlights SPEAKER, ACTION, CAMERA lines, one at a time no random text

6.00–8.00 seconds — HANDOFF: prompt card and scene-sheet card side by side ready entering Flow, no fake loading

FINAL FRAME:
HANDOFF: prompt card and scene-sheet card side by side ready entering Flow, no fake loading. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ١٠تجهيز أداة التوليد٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

رفعت التلات صور على Google Flow: شيت العربية، شيت شخصيتي، والسين شيت… ومعاهم البرومبت.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. شاشة التوليدتنزيل ↓
5. لقطة الأداة الأصليةتنزيل ↓
6. مرجع العربية المعتمدتنزيل ↓
7. مرجع الشخصية المساعدةتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 10 — FEED GOOGLE FLOW
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-10.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. FLOW-GLASS.png — presentation layout for source inputs.
5. FLOW-SCREENSHOT.png — genuine supplied Flow UI and prompt.
6. VEHICLE-MASTER.png — whole vehicle input.
7. SOURCE-HAMO-SHEET.png — whole skit storyboard input; character input comes from reference 2.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«رفعت التلات صور على Google Flow: شيت العربية، شيت شخصيتي، والسين شيت… ومعاهم البرومبت.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Use the genuine Flow screenshot as the UI authority. The three input cards show WHOLE source sheets: vehicle, character, skit scene sheet. Not just a face, not a single car photo, not a cafe location picture. Spoken ordering is vehicle, character, scene; attachment meaning stays correct irrespective of UI layout. Do not turn the tutorial's 8-second duration into an interface value: the original skit prompt legitimately says 10 seconds. No pricing, model-name claim, credit count or made-up controls. Demonstrate the already supplied prepared prompt, not an invented successful generation.

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — THREE INPUTS: three exact original sourcecards Vehicle Character Scene large legible over parking

2.00–4.00 seconds — FLOW: actual supplied Flow screenshot imported into thickglass window, focus genuine prompt and attachment area

4.00–6.00 seconds — ATTACH: three sourcecards converge into three thumbnails in screenshot, no invented app functionality

6.00–8.00 seconds — READY: supplied actual prompt screenshot with attachments holds readable, Mo gestures table foreground, no generated result yet

FINAL FRAME:
READY: supplied actual prompt screenshot with attachments holds readable, Mo gestures table foreground, no generated result yet. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ١١المراجعة والتحسين٨ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

ولّدت، راجعت، وعدّلت اللي بوّظ النتيجة… لحد ما طلعت بالشكل اللي شُفتوه.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. التوك توك — المرجع الأولتنزيل ↓
5. التوك توك — المرجع الثانيتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 11 — REVIEW AND REFINE
DURATION: Exactly 8 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-11.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-TUK-A.jpg — actual supplied variant A frame.
5. SOURCE-TUK-B.jpg — actual supplied variant B frame.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«ولّدت، راجعت، وعدّلت اللي بوّظ النتيجة… لحد ما طلعت بالشكل اللي شُفتوه.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
The two source frames are two actual supplied variants, not proof of a failed first attempt or a known generation chronology. Label them only VERSION A / VERSION B. No invented attempt count, red failure mark, performance score or new action not in the references. Choose variant B with an amber frame and expand its image toward full-screen. Original Arabic series logo embedded in this supplied footage may remain as an immutable image; do not regenerate its letters. Mute all skit speech and alarm sounds.

EXACT NEW UI TEXT, preserve literally as an image:
VERSION A
VERSION B

TIME-CODED SHOT PLAN:
0.00–2.00 seconds — VERSIONS: two glass video cards actual TWO supplied tuktuk variants side by side, labels only VERSION A and VERSION B not beforeafter

2.00–4.00 seconds — REVIEW: Mo examines cards, subtle focus on vehicle landing difference, no fake failure redX or invented score

4.00–6.00 seconds — SELECT: chosen actual flyingtuk version becomes larger with understated amber selection edge

6.00–8.00 seconds — RESULT: window expands toward camera until actual flyingtuk frame full9:16screen, end on same image for next pullback

FINAL FRAME:
RESULT: window expands toward camera until actual flyingtuk frame full9:16screen, end on same image for next pullback. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 8 seconds.

تنزيل ملف البرمبت ↓

المشهد ١٢الحفظ والمشاركة٦ ثوانٍ ＋

افتح اللوحة بالحجم الكامل ↗

الحوار المصري

احفظ الفيديو عشان ترجع للخطوات، وابعته لصاحبك اللي نفسه يعمل فيديوهات بالـAI. وتابعني عشان تشوف التطبيق الجاي.

ارفع المرفقات بالترتيب ده

1. لوحة المشهد الحاليتنزيل ↓
2. مرجع الشخصيةتنزيل ↓
3. مرجع الكافيهتنزيل ↓
4. التوك توك — المرجع الثانيتنزيل ↓
5. مرجع العربية المعتمدتنزيل ↓

برمبت التحريك الكامل

نسخ البرمبت

SCENE 12 — SAVE AND SHARE
DURATION: Exactly 6 seconds.

ATTACHED REFERENCES — UPLOAD IN THIS ORDER:
1. SCENE-12.png — matching current scene sheet; use only composition and action.
2. CHARACTER.png — exact Mo identity.
3. CAFE-WORLD.png — fixed cafe world.
4. SOURCE-TUK-B.jpg — selected source result for return transition.
5. VEHICLE-MASTER.png — final completed parked car.

EXACT SPOKEN EGYPTIAN DIALOGUE:
«احفظ الفيديو عشان ترجع للخطوات، وابعته لصاحبك اللي نفسه يعمل فيديوهات بالـAI. وتابعني عشان تشوف التطبيق الجاي.»

SCENE-SPECIFIC DIRECTION — takes priority over generic styling:
Start from the same full-screen chosen result as Scene 11, then pull back to reveal it bounded on the laptop display or glass window matching the scene sheet. Mo returns direct to the real camera, screens retract, completed car stays grounded in the bay. End with face unobstructed and natural expression, no written CTA, no title card. Deliver the approved closing line briskly at approximately 1.1x without adding extra phrases or a prolonged silent outro.

TIME-CODED SHOT PLAN:
0.00–1.50 seconds — RETURN: actual result video inside glasswindow camera pulls back reveal same cafe

1.50–3.00 seconds — PRESENTER: clean directcamera medium Mohamed continues closing VO lipsync

3.00–4.50 seconds — CLEAR: screens retract sideward car complete grounded behind in bay laptop coffee props same

4.50–6.00 seconds — FINAL: subtle closer Mo face natural warm expression car visible behind clean final no titlecard

FINAL FRAME:
FINAL: subtle closer Mo face natural warm expression car visible behind clean final no titlecard. Let motion settle for the final 0.15–0.20 seconds after the last word, without adding an outro.

FORMAT: Vertical 9:16, full-screen, 24 fps. Photorealistic cinematic real-world footage with sophisticated 3D glass-screen postproduction.

REFERENCE RULES:
The matching SCENE sheet controls shot order and composition. CHARACTER locks Mo's exact face, hair, beard, skin texture, body proportions and charcoal blazer over black crew-neck shirt. CAFE WORLD locks location, props and sunlight. Additional images supply their stated content or materials only; do not import their unrelated locations into the cafe.
Never animate the production contact sheet as a flat image. Reconstruct every panel as clean full-screen footage and animate each graphic layer independently. All production headings, timings, panel borders, shot numbers and camera specifications are INTERNAL ONLY and must not appear on screen.
Whole skit/character/vehicle source sheets may legitimately appear as imported flat pictures INSIDE specified screens. This exception never permits the current tutorial scene sheet or its annotation borders to appear full-screen.

IDENTITY AND WORLD:
Mo stays seated at the same walnut table; open laptop, espresso glass, phone and chair remain consistent. Preserve black pergola, olive plant, beige courtyard architecture and parking lines. No extra real people or physical clones. The same completed car, once built in Scene 03, remains parked in the middle bay in subsequent cafe shots. Use the exact Vehicle Master low angular silver wedge, black canopy, closed black aero-disc wheels, narrow lights and raised rear wing. No generic coupe, body morph, changing wheel design or different car model.

VOICE AND PERFORMANCE:
Mo is the ONLY voice. Native Egyptian Arabic / Cairo Masri at approximately 1.10x natural conversational speed, same voice and mic character as the successful opening. Begin immediately, speak connected phrases across cuts, and finish by the last 0.15-0.20 seconds. Do not stretch a short line merely to fill its window; allow motivated visual action once the sentence ends. No unjustified pauses inside phrases, invented words or repetition. No second voice, original skit dialogue, robotic TTS cadence or narrator substitution. Accurate lip-sync whenever Mo's mouth is visible; use the same voice offscreen over details. Do not restart at cuts. Keep hands away from his mouth. Real skin and small purposeful gestures, no exaggerated acting.

GRAPHIC LAYERS:
Premium dark transparent glass, real thickness, rounded corners, restrained 1px cyan edge, subtle refraction, reflection and plausible shadow. Amber is used only for selected ideas/results. Animate each layer's entrance, position, depth, motion and exit separately. Glass does not cover Mo's eyes or mouth. Images within cards are stable photographic surfaces, not regenerating car designs. Preserve exact prepared English UI and supplied source-image text. No new Arabic subtitles; original source logos already embedded in real clip frames can remain unchanged. No random numbers, extra controls, watermarks, floating gibberish or bright neon trails. Screen content stays bounded; people and vehicles inside it do not escape into the cafe.

CAMERA AND TRANSITIONS:
Use the four timed beats below. Hard cuts on glance, trackpad selection or object motion are intentional. Approx. 35mm for environment, 50mm for presenter, macro only when useful. Natural depth of field, lens perspective and optical motion blur. Change framing, purposeful movement or key graphic action roughly every 2 seconds; not random camera travel. Never pass through Mo, furniture, a car or a wall. Use glass-edge wipes, match cuts and motivated pushes, not generic glitches. If a prior generated final frame is attached, it controls only the opening match and must not override the new action or current identity.

LIGHTING:
Same warm-neutral afternoon sun, natural sky fill and restrained amber cafe practicals. Realistic concrete bounce and skin tones, neutral blacks, consistent shadows. Silver body reflects local beige buildings and blue-gray sky, with restrained clear-coat highlights and rubber/glass detail. Match vehicle and environment in sharpness, grain, exposure and haze. No cartoon/plastic shading, cutout edge, studio-CGI look, glowing white bodywork or blue face tint. VFX assembly is visual explanation, not verified vehicle engineering.

SOUND:
Mo's speech is first and clearest. Featured glass/selection/mechanical effects second, quiet tech-pulse bed third, soft cafe ambience last. Keep effects beneath words. Pair only actual visible motions with subtle sounds: soft selection click, glass whoosh, assembly latch or restrained settle. No explosions, source-video dialogue, laugh track or unnecessary alarm voices.

NEGATIVE CONSTRAINTS:
No contact-sheet layout or production metadata inside footage; no subtitles or unlisted UI. No identity drift, wardrobe change, distorted anatomy, extra fingers or face beautification. No duplicated screens except specifically separate source cards. No invented scene outside the approved beats. No changing cafe geometry or prop locations. No morphed car, oversized people, magical smoke, arbitrary particle bursts or camera teleportation. Preserve the final handoff rather than adding a CTA/end card or fade to black.

Complete all required action within exactly 6 seconds.

تنزيل ملف البرمبت ↓